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Last updated Nov 2026

Short answer: a Leica M11 for travel photography is worth it if you already like shooting a manual rangefinder and you can live with one or two prime lenses. It is not a “better X100VI”, and it is not the camera I used in Iceland. Below are honest notes from the trips where I have actually carried a Leica, with a gallery of real frames from the M11 and the older M240: Athens, Crete, Porto, Lisbon’s coast, northern Sardinia, Folgosinho in the Serra da Estrela, and northern Italy.

What I carry (and what this post is not)

This is not a lab review. Leica’s own product page covers the specs better than I can. What I can tell you is the kit I take when the M11 comes on a trip:

  • Leica M11 body
  • Voigtländer Ultron 35mm — my favourite travel focal length, because it is light
  • Leica 50mm f/2 — when I want a tighter frame

Two practical notes on the files. On some frames the camera writes a “Summicron-M 35” lens name into the EXIF even when the glass on the camera is the Voigtländer Ultron; treat that field as a profile, not a receipt. The 50mm frames correctly show a Summicron-M 50 profile matching the Leica 50mm f/2.

And a hard boundary: our Iceland Ring Road trip in April 2025 was shot on a Sony A7C II, our iPhones and a drone — not on a Leica. If a photo on this blog is from Iceland, do not assume it came from the M11.

What the M11 actually is (the facts that matter on a trip)

From Leica’s official M11 page, the bits that change how you pack and shoot are simple:

  • Full-frame BSI sensor with 60 / 36 / 18 MP Triple Resolution options for DNG and JPG
  • Manual rangefinder focusing (no autofocus)
  • USB-C charging and a larger battery than the previous M generation
  • 64 GB of internal storage plus an SD card slot, so you can write to both
  • Electronic shutter up to 1/16000 s for bright light with fast lenses

None of that makes it a family “point and shoot”. It makes it a small full-frame camera that forces you to decide the frame before you press the button.

A Leica gallery from real trips

This post is meant as a Leica gallery, so the usual rule of not reusing photos across the blog does not apply here. Several frames also appear in destination posts; this page is the gear home for them.

Athens, September 2026 — Leica M11 + 35mm

These are the Acropolis frames from our OLYN Athens post. All shot on the M11 with the Voigtländer Ultron 35mm.

Acropolis approach path, Athens
Acropolis approach path, Athens. Leica M11. Voigtländer Ultron 35mm. 1/360 s, f/8, ISO 64. 2026-09-05.
Odeon of Herodes Atticus from above, Athens
Odeon of Herodes Atticus from above, Athens. Leica M11. Voigtländer Ultron 35mm. 1/320 s, f/9.5, ISO 64. 2026-09-05.
Odeon arches looking out to Athens and the sea
Odeon arches looking out to Athens and the sea. Leica M11. Voigtländer Ultron 35mm. 1/200 s, f/8, ISO 64. 2026-09-05.
Parthenon under scaffolding, Acropolis of Athens
Parthenon under scaffolding, Acropolis of Athens. Leica M11. Voigtländer Ultron 35mm. 1/250 s, f/8, ISO 64. 2026-09-05.
Erechtheion and the Caryatid porch, Acropolis of Athens
Erechtheion and the Caryatid porch, Acropolis of Athens. Leica M11. Voigtländer Ultron 35mm. 1/500 s, f/6.8, ISO 64. 2026-09-05.

Crete, September 2026 — Leica M11 + 35mm

One sunset frame from early September 2026. People as silhouettes only.

Silhouettes of people on a beach at sunset with the sun low on the horizon and bright reflections on the water, Crete
Beach sunset in Crete. Leica M11. Voigtländer Ultron 35mm. 1/160 s, f/13, ISO 80. 2026-09-12.

Porto, October 2026 — Leica M11 + 35mm

Rooftops in Vila Nova de Gaia looking across to the Dom Luís I bridge and the Porto skyline.

Terracotta rooftops in Vila Nova de Gaia with the Dom Luís I bridge and Porto skyline under a cloudy blue sky
Porto rooftops and the Dom Luís I bridge. Leica M11. Voigtländer Ultron 35mm. 1/1250 s, f/2.4, ISO 64. 2026-10-04.

Fonte da Telha, Lisbon coast — Leica M11 + 50mm

Same sunny afternoon as our Lisbon in November / Kailua post. Here the Leica 50mm f/2 stayed on the camera.

Fonte da Telha beach near Lisbon
Fonte da Telha beach near Lisbon. Leica M11. Leica 50mm f/2. 1/320 s, f/6.8, ISO 64. 2026-10-31.
Fonte da Telha shoreline, late afternoon
Fonte da Telha shoreline, late afternoon. Leica M11. Leica 50mm f/2. 1/1500 s, f/3.4, ISO 64. 2026-10-31.
Atlantic waves at Fonte da Telha
Atlantic waves at Fonte da Telha. Leica M11. Leica 50mm f/2. 1/1250 s, f/4.8, ISO 64. 2026-10-31.
Surfer leaving the water at Fonte da Telha
Surfer leaving the water at Fonte da Telha. Leica M11. Leica 50mm f/2. 1/400 s, f/6.8, ISO 64. 2026-10-31.

Northern Sardinia, July 2025 — Leica M240 + 35mm

Shot on the older M240 with the Voigtländer Ultron 35mm. The camera EXIF writes a Summicron-M 35 profile; the glass on the camera was the Ultron.

Northern Sardinia coast from above the village roofs
Northern Sardinia coast from above the village roofs. Leica M240. Voigtländer Ultron 35mm (EXIF profile: Summicron-M 35). 1/250 s, f/5.6, ISO 200. 2025-07-12.
Crescent beach cove, northern Sardinia
Crescent beach cove, northern Sardinia. Leica M240. Voigtländer Ultron 35mm (EXIF profile: Summicron-M 35). 1/250 s, f/3.4, ISO 200. 2025-07-12.
Turquoise cove and granite rocks, northern Sardinia
Turquoise cove and granite rocks, northern Sardinia. Leica M240. Voigtländer Ultron 35mm (EXIF profile: Summicron-M 35). 1/750 s, f/6.8, ISO 200. 2025-07-13.
Sunset over the sea, northern Sardinia
Sunset over the sea, northern Sardinia. Leica M240. Voigtländer Ultron 35mm (EXIF profile: Summicron-M 35). 1/125 s, f/3.4, ISO 200. 2025-07-12.
Sunset behind a driftwood fence, northern Sardinia
Sunset behind a driftwood fence, northern Sardinia. Leica M240. Voigtländer Ultron 35mm (EXIF profile: Summicron-M 35). 1/125 s, f/2.8, ISO 200. 2025-07-12.

Folgosinho, Serra da Estrela, May 2025 — Leica M240 + 50mm

Village details and valley views. M240 with the Zeiss C Sonnar 50mm (EXIF profile: Summilux-M 50).

Stone chapel in Folgosinho, Serra da Estrela
Stone chapel in Folgosinho, Serra da Estrela. Leica M240. Zeiss C Sonnar 50mm (EXIF profile: Summilux-M 50). 1/1500 s, f/3.4, ISO 200. 2025-05-31.
Village fountain in Folgosinho, Serra da Estrela
Village fountain in Folgosinho, Serra da Estrela. Leica M240. Zeiss C Sonnar 50mm (EXIF profile: Summilux-M 50). 1/250 s, f/5.6, ISO 200. 2025-05-31.
Valley view from Folgosinho, Serra da Estrela
Valley view from Folgosinho, Serra da Estrela. Leica M240. Zeiss C Sonnar 50mm (EXIF profile: Summilux-M 50). 1/180 s, f/8, ISO 200. 2025-05-31.
Rooftops of Folgosinho village, Serra da Estrela
Rooftops of Folgosinho village, Serra da Estrela. Leica M240. Zeiss C Sonnar 50mm (EXIF profile: Summilux-M 50). 1/180 s, f/8, ISO 200. 2025-05-31.

Northern Italy, June 2025 — Leica M240 + 50mm

One frame from the northern Italy road trip, again the M240 and the Zeiss C Sonnar 50mm.

More M240 frames from Verona and Lake Garda, plus what to check when buying one used: Leica M240 in 2026: Is It Still Worth It as a Travel Camera?

Lakeside village, northern Italy, June 2025
Lakeside village, northern Italy. Leica M240. Zeiss C Sonnar 50mm (EXIF profile: Summilux-M 50). 1/1000 s, f/5.6, ISO 500. 2025-06-12.

How this compares to the Fujifilm X100VI I took to Japan

Before the M11, our Japan trip (March–April 2026) was mostly the Fujifilm X100VI and our iPhones. I liked the colours. Carrying it in my hand all day still tired me. On the flight home a hand-sanitiser gel pack burst next to it, Fujifilm Portugal repaired it for €509.34, and I later sold it. The full story is here: I took the X100VI to Japan with my family. Hand sanitiser killed it on the flight home.

The useful comparison for travel is not “which file looks nicer in a lab”. It is how you carry the camera. The X100VI is a fixed-lens compact. The M11 is a rangefinder with interchangeable primes. Both can stay small. Both can still feel heavy at the end of a long family day if you never put them on a strap.

Is a Leica M11 worth it for travel?

Honest answer from the trips above:

  • Yes, if you want a compact full-frame rangefinder, you are happy focusing manually, and one or two primes cover how you actually see on the road.
  • No, if you need autofocus for kids running at you, long zooms, video, or a camera you can hand to someone else on the trip without a lesson.
  • Not yet proven for me in bad weather: I have not written a rain or cold test from my own M11 trips. Leica’s page does not sell the M11 as a weather-sealed adventure body, and I am not going to invent one.

Price is the other filter. An M11 and two lenses is serious money. If your goal is “better travel photos”, start with light, composition and viewpoint — the same habits work on a phone. That is what I teach in the free tips post and in the book below.

What actually improved my travel photos (camera optional)

Whether the body says Leica, Fuji, Sony or iPhone, the photos that work on this blog come from the same four checks: Light, Order, Viewpoint, Edges (the LOVE Check). I wrote them up with real trip examples here: Travel Photography Tips for Beginners.

If you want the longer version, my Kindle ebook Take Photos You Love: Every Single Time ($4.99 / €4.99 on Amazon.es) is 132 pages on composition, light and colour with any camera. No gear shopping list.

FAQ

Is the Leica M11 good for travel photography?

It can be, if you like manual focus and prime lenses. I use it for travel with a 35mm and a 50mm. It is a poor choice if you need autofocus, video or a long zoom.

What lenses do you use on the M11 for travel?

A Voigtländer Ultron 35mm (my default) and a Leica 50mm f/2. For travel, the 35mm stays on the camera most of the time because it is light.

Did you shoot Iceland on a Leica?

No. Iceland in April 2025 was a Sony A7C II, iPhones and a drone.

Leica M11 or Fujifilm X100VI for a family trip?

Different tools. The X100VI is a fixed-lens compact I took to Japan; the M11 is a rangefinder with interchangeable lenses. Read the X100VI Japan story for the compact side of that comparison.

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About us

We’re the family behind Far & Roaming — two parents, two kids, and a whole lot of passport stamps. Based in beautiful Portugal, we’ve been traveling the world together, one country (and one gelato stop) at a time.

Over the years, we’ve explored more than 30 countries as a family — from hidden islands in Asia to cobbled European streets — and we created this blog to share the very best of what we’ve found:
places worth staying, meals worth eating, and moments worth remembering.